Afterward

From Being Honest
 

 

Mathilda

Mathilda shared apartments in Los Angeles[256] with her cousin Margaret Temmer from 1963 to 1981.  For many years she was the family’s champion correspondent, whose letters and phone calls kept her children and grandchildren informed of what the others were up to.  She never allowed English to daunt her as it had Joseph, sometimes consulting dictionaries but more often spelling as seemed best at the moment.  Her family tried to keep up with her communicative pace but seldom matched it, and Mathilda was seldom shy about pointing this out.  If she sent a letter to someone mentioning she hadn’t heard from him or her for awhile, and got a prompt reply, she might say “Love and telepathy goes out together” and close with thanks—plus hopes that “it won’t be a whole month till the next one.”

Mathilda belonged to several senior citizens’s clubs and frequently went to meetings or luncheons or away on tourist jaunts, occasionally sniffing at Margaret and Rose Ruhig for preferring to stay home and play cards.  (“Nothing else interests these two?”)

She paid many visits to California City and made it out to Kansas City every year or so, well into her eighties.  In May 1978 she commented on photos George had taken during her most recent trip to KCMO:

I look OK too I guess, except it’s hard for me to get used to see[ing] me as a really old person now.  I am sure you both are laughing at my saying this, but I haven’t had a picture taken for so long, and I don’t feel my age, so it’s hard to accept it as is.

That August Mathilda got mugged and her injuries, including a fractured pelvis, were misdiagnosed; so Martha the onetime wallflower took action (telling George “I haven’t been in a good fight for a long time”) and won a legal settlement after threatening to contact ombudsmen, state medical associations, and David Horowitz.  By the following summer Mathilda resumed her “merry-go-round of activities with friends” and clubs, but never fully recovered.  “Seems that my age’s trying to catch up with me or something,” she admitted in 1980.  “So I[’m] just being lazy, and wait for a miracle.”

After suffering a stroke in 1981 she was brought to stay with the Mlinariches, but her condition continued to decline and in January 1983 her children placed her in the Lancaster Convalescent Hospital, an above-average nursing home.  Mathilda went there resigned to ending her life, occasionally muttering in Hungarian about hurrying up and getting it over with.  After a difficult year she grew stronger and “graduated” from therapy, able to read again and perambulate with a walker; in 1985 Mathilda even wrote a few letters, her first in several years.  But she was devastated by Martha’s predeceasing her (“a mother ought to go first”) and went into passive limbo till her own death on June 4, 1992, aged 96.

On his final visit to Lancaster, George had to rack his brain for things to tell his unresponsive mother.  When he mentioned that he and Mila Jean had recently prepared chicken paprikash but couldn’t produce its dumpling-like egg noodles, Mathilda stirred long enough to say, “Try rice.”

I had one more visit with her early Sunday afternoon.  She and I mostly sat and held hands…  There was something in how she kissed me goodbye the Sunday I left which (even then I knew) was different from all the other times.  So, she finally was able to slip away as she clearly wished to do… [and] take the trip for which she had waited so long[257].

Martha and Nick

The Mlinariches remained at 8125 Nipa in California City for the rest of their lives.  Nick had to give up teaching shop after a series of minor strokes but never let his health slow him down, continuing to smoke unfiltered Camels and tool around the desert on a motor scooter.  Martha finally learned to drive in 1964 and visited Paris in the later 1960s, meeting her Aunt Ily and cousin Márta Kun (“the other Martha”) but not her childhood playmate Violet “Bébi” Ladner.

During another trip in 1971 Martha first became aware of having a sacral chordoma —a malignant tumor at the bottom of her spine—and had to be brought home in great pain.  The tumor was surgically removed but another slowly grew to the size of a tennis ball.  She soldiered on teaching high school Biology and Psychology, remarking in 1985 that “a teacher should imbue a kid with the desire to learn, and do the best he can.”  Martha was ceaseless in her fight against the student anthem of it’s boring, as well as the California Philosophy of Education and the double wall of can’t-afford-it and can’t-be-done.  Always vocal at faculty meetings, she carried the courage of her convictions and the strength of increasing seniority into battle with a series of Mojave superintendents.  At an assembly where students voiced grievances against the incumbent superintendent in 1979, Martha marched up and took her formidable turn at the microphone, arms resolutely folded, brows knitted, jaw set.

At the end of each school year, students would send her messages or inscribe yearbook pictures with sentiments that shone through their spelling and grammar: “Your a great teacher who relley understands alot of the kids problems.”  “Your the first teacher who had ever had an interest in the students…  You might get mad at us, but you have a good reason too.”  “Mrs. Mlinarich, your my favorite teacher.  I’ve had you for three years now and have loved every hair of it.”

It was widely known that anyone who felt lonely or depressed or troubled by some problem could talk to Martha about it, and she would always try to help[258].  Some of her pupils regarded her with the same adulation she’d once felt for Mrs. Eckaros and Dr. Brown, writing essays in grateful tribute: “Mrs. Mlinarich is truly a hard-working, dedicated teacher, for whom a wasted minute is a bit of knowledge that could have been learned, or a bit of help or service that could have been performed.”  In 1975 she was named one of the Outstanding Secondary Educators in America, Top 25 in California.

But by 1983 her tumor was giving Martha terrible pain, with the threat of paralysis and death if left untreated.  She hemmed and hawed about retirement until George asked if she were afraid of disappointing their father by again choosing to leave the classroom.  “It was like a light bulb went off”: until then she hadn’t been able to figure out why she was hesitating.  In June 1984 Martha retired after a quarter-century of teaching in Mojave.

That October at the University (of Washington) Hospital in Seattle, she was the first patient in the United States to undergo treatment by a fully-operational medical cyclotron.  This was the latest tool in radiation therapy, using an atomic particle accelerator to fire streams of neutrons to kill tumor cells; and besides hoping to ease her pain and gain some retirement time (“There are thousands of books I haven’t read”), Martha took professional interest in this new procedure.  It added more years to her life than anticipated, but did not relieve her discomfort for very long nor spare her from unpleasant side effects.

It was announced at the Mojave High Class of 1965’s twentieth reunion that a Martha Mlinarich Mojave Alumni Scholarship Foundation had been established[259], and the 1986 Mojave Mustang yearbook was dedicated to Mrs. Martha Mlinarich: “We thank you for caring enough about us to make us learn what we wouldn’t have learned.  Thank you for unfailing devotion as a teacher and as a friend.”

Martha died on Earth Day, April 22, 1991, aged 71.  A week later George wrote:

Part of me has been numb for years, since it was in the summer of 1985 that she had been given no more than six months to live.  So when the news did come, there was in one sense a genuine feeling of relief, since her pain was now forever stilled.  Yet there is also a void which can never really go away.  Indeed, it will become ever more real to me.  I know this because as the years slip by I find myself thinking more often of my father, and often wish I could sit with him to visit and tell him news which would make him happy, or simply to let him know that I better understand him, and that I appreciate how well he managed things when the circumstances were difficult.

Nick Mlinarich followed Martha on February 2, 1993, aged 74; and their ashes were scattered over the Mojave Desert.

George and Mila Jean

George and Mila Jean remained at 5505 Holmes in KCMO for the rest of their lives.  In 1964, a year after KCU became the University of Missouri-Kansas City, George became chairman of its Art Department; he spent the next decade putting “teaching and scholarship on a lower priority than managerial concerns” while building up his department facultywise, facilitieswise, and curriculumwise to realize its potential.  He stepped down in 1975 partly for reasons for health, and partly in order to “rediscover the professor in the administrator.”

In 1968 Kansas City’s eighty-year-old Board of Trade Building, “an exceptional work of architecture,” had been torn down “to make room for nothing more than a surface parking lot.”  This sparked a local preservation movement, with the Landmarks Commission created in 1970 and the Historic Kansas City Foundation organized in 1974.  George was prominently associated with both from their inception, stating that “Central to the preservation movement is the objective of halting unwarranted demolition or radical remodeling of historically or architecturally significant buildings.”  KCMO’s monumental Union Station was threatened with destruction, and a crusade was mounted to save it; in 1972 George organized and moderated a symposium on Union Station’s future, asserting that

We do not advocate preservation of every old building.  The key element is finding new uses for many of our old buildings…  I resent deeply that things can be done without explanation.  If they do tear it down and put up a Holiday Inn or something, I want to be convinced that there was no other alternative.  So far I am not convinced.

Nor were many others; but their campaign would go on for decades as Union Station withstood neglect and decay.  Numerous other vintage buildings of eminent importance were in need of safeguarding, so the preservationists were kept vigilantly busy.

1979 saw George’s book Kansas City, Missouri: An Architectural History 1826-1976 published by the Historic Kansas City Foundation.  This was not intended as a scholarly work, but one bringing together the various social, cultural, economic, and artistic forces that had shaped Kansas City’s architectural heritage.  It was illustrated with nearly two hundred photographs taken by George over the years.  A revised and enlarged edition came out in 1992 (its subtitle extended to 1990); this was followed in 1996 by a Guide to Kansas Architecture in collaboration with David H. Sachs, published by the University Press of Kansas.  That same year Union Station’s long-sought restoration was finally approved, with renovation completed in 1999 and train service resumed in 2002.

After George retired from UMKC as Professor Emeritus in 1992, the University offered a George Ehrlich Scholarship for Art History majors, and the Historic Kansas City Foundation established an Achievement in Preservation Award in his name.  George was an honorary member of the American Institute of Architects, and in 2003 the Kansas City Architectural Foundation presented him with a Legends Award.  A year after that, the Kansas City Public Library Board of Trustees selected Kansas City, Missouri: An Architectural History as one of the titles to appear on 25’ x 9’ book spines decorating the façade of the Central Library’s parking garage.

Mila Jean taught part-time in the UMKC English, Theater, and World Literature departments from 1964 to 2000.  Upon retirement she hoped she and George could devote themselves to traveling, one of her favorite activities[260]; but George took a bad fall in November 2000 that required surgery[261].  Coincidentally or not, from that point he began a gradual yet unremitting descent into dementia.  In 2003 he gave up working on a biography about pioneer architect Asa Beebe Cross, as well as keeping a day-at-a-glance reminder book and trying to correspond by letter or email.  Mila Jean’s attempt to jog his fading memory by showing him photos of Joseph and Mathilda only reduced him to tears.

George died on November 28, 2009, aged 84.  He’d arranged that he and Mila Jean would be laid to rest in Leavenworth National Cemetery, where the Department of Veterans Affairs would provide interment space and suitable markers free of charge.  Mila Jean was disinclined to follow through with this plan, thinking the destination too martial; but went along with it rather than seek an alternative (such as scattering his ashes over Union Station).  “Well, they took George to Leavenworth yesterday,” she dolefully announced—followed by a Mila Jeanesque laugh at how that could be interpreted.  She joined him there after her own death on February 21, 2016, aged 83[262].

Sherry Renée

In many ways Sherry Renée’s life reflected the 1960s in which she grew up, not least in the often fractious relationship she had with her mother and stepfather.  This was due in part to widely differing viewpoints on financial matters: Martha having learned frugality from her parents and, like George, making it a lifelong style of living (often out of necessity), while S.R. went by “Why save for tomorrow if it means starving yourself today?”  Yet Martha was the first to admit she was unable to deal with her own child as she could with anybody else’s; and S.R. was the first to praise her mother as a teacher, having in fact been her student for five years in Mojave Junior/Senior High science classes.

After graduating in 1966, Sherry wanted to go to San Francisco (with or without flowers in her hair) but settled for college at Fresno State, where she distanced herself from Lamb Chop jokes by going by her middle name Renée.  Leaving school after a major confrontation with her parents in 1968, she headed for Los Angeles and worked there as a waitress, model, and movie usher, then at banks and an answering service and in the garment district.  She moved around considerably, at one point every week, and at times was out of touch with her family.  Finally in 1974 she “got burned-out, yelled at the boss’s son, cried in the restroom, went out for lunch and couldn’t bring myself to go back.”

Packing her suitcase and sewing machine, S.R. moved with friends to Olympia, Washington, where Mathilda sent her a letter that September mentioning the Ehrlich Family History.  “If and when Paul writes the book he started” (already sounding dubious about this happening) “hope he’ll really do it up some time.”  S.R. in turn sent Paul Stephen a letter in October:

For some reason it has come into my mind to write you.  I’m feeling rather contemplative tonite (you can tell by my language—I’m usually much more casual), and since Gramma mentioned that you’re writing a family history I thought I’d ask about it.  I know she has Mama’s diary and will either send you the whole book or excerpts from it.  I’ve never read it, though I’d like to.  For a long time she (Mama) didn’t want me to—perhaps I was too young or we were still too caught in the parent-child relationship instead of being friends—and later I was home so seldom that it never came up.  Anyway, I’m sure there must be many interesting things in it.  But what (who, rather) I really wanted to write about is our mutual grandfather.  I doubt if you remember him too well.  He died when I was 13 or so and I think I’m about 8 years older than you are.  But he has to have been one of the really good people of the world.  There is so much I remember—I wish we could talk instead of writing.  I don’t know what you’re interested in.  Oh well—here goes…

After seven pages of reminiscences she added:

I wish I could tell you more.  Pictures keep coming but words don’t—at least, not to write.  Talking would be easier.  Maybe sometime…  If you’re making a carbon of your writing and wouldn’t mind loaning it out, I’d love to read it.  There’s a lot I don’t know that I’d like to find out.  OK!  My hand is breaking, my stomach is empty and I’m exhausted, so this is it for now.  Write, if you have the time and inclination.  I’d like to hear how you and the rest of the family are doing.  Please give them all my love.  Sherry.  P.S.  It’s beautiful up here.  You should see it sometime.

In Olympia S.R. found all the verdancy she’d missed in Mojave.  For several years she worked for the state Department of Labor and Industries, then the Department of Licensing’s Driver Improvement Office.  She also got involved with a dramatic group that put on The Agony: A Passion Play every Easter, appearing in 1976 as Mary Magdalene as well as assisting with sets, lighting, and makeup.  Also in The Agony was Tim Morta[263], and soon after Easter he and S.R. learned she was pregnant with their child.  But not till Thanksgiving would Martha and Nick hear that S.R. was expecting a baby—and that it was due in two months.  Their reactions were characteristic.

Amber Joanna (Jo for great-grandfather Joseph) Lewis was born on January 15, 1977 and made her stage debut three months later in that Easter’s production of The Agony.

From 1979 to 1982 S.R. attended Evergreen State College, founded in 1971 in the middle of a rainforest.  It offered grade-free multidisciplinary programs of coordinated studies, and there S.R. earned her Bachelor of Arts degree[264].  During the brutally hot summer of 1980, she and Amber traveled across country by bus to Boston and back, stopping in KCMO to visit the Ehrlichs and urge Paul Stephen to visit Olympia.  This invitation would be extended repeatedly till he headed west in 1984, partly in order to complete An Honest Tale Plainly Told.

In July S.R. and P.S. discussed this project, deciding to work on “a composite volume of some comprehensiveness.”  They “shaped up the Definitive Edition as 1894-1963, emphasizing Grandpa’s influence on family—S.R. anxious that it not be done ‘dry,’ but with popular bent, with view to publishing.”

Over the next year Sherry Renée was preoccupied with Martha’s health and her own love life, the latter culminating in a June 28, 1985 wedding to Nick Layden[265], a softspoken easygoing postman.  Despite marked differences in temperament, Nick Layden shared a number of traits with Nick Mlinarich: both were mechanically-handy “lapsed” Catholics who smoked Camels and had gone through a marriage and divorce.  In fact it was S.R.’s friendship with Nick’s ex-wife Myriam, and Amber’s with Nick’s daughter Nichole and stepdaughters Marcella and Monique, that led to S.R. and Nick becoming acquainted.

As her engagement ring Sherry Renée wore the one Grandpa Joseph had gotten from his mother Sarolta in 1916 to be Grandma Mathilda’s.  The newlywed Laydens’s honeymoon was an arduous trek by truck (with Amber and Paul Stephen in the back seat) to California to visit the Mlinariches and Mathilda.  Grandma could not have asked for a better ninetieth birthday present; at long last she was able to proclaim “I have a third grandson!”

In 1986 S.R. reported having found “OUR HOUSE.  Caps definitely necessary”—the suburban Seattle domicile[266] she would occupy with husband, daughter, and several cats for the next decade, and which Paul Stephen would dub “Laydenland” when he joined Sherry Renée & Co.’s household in 1988.

S.R. was employed by the University of Washington from 1988 to 2009 as an office assistant, secretary and program coordinator with the Extension, Developmentally Disabled Rehab, Admissions, Minority Affairs & Diversity, and Lab Medicine departments.

When they turned sixty Sherry Renée and Nick decided to retire to an acre of land in Republic, Washington, a onetime goldmining town (originally called Eureka Gulch) surrounded by the Colville National Forest.  Except during the depths of winter, S.R. has never had to say “There’s nothing green out here!” in Republic.

Paul Stephen

“Paul is adapting well to the college work,” George wrote Mathilda in October 1974.  “He doesn’t mingle much (as usual) but he is working quite hard and long on coursework.”

Actually Paul spent more time working harder and longer on fictional enterprises than scholarship or “dayjob” employment; and to a great extent that priority has gone unchanged for nearly half a century.  For awhile he considered becoming an accountant, but instead took a general Bachelor of Business Administration degree at the University of Missouri-Kansas City.  From 1975 to 1988 he was employed by the UMKC Bookstore as a student assistant, then a fulltime clerk, and finally Supplies Buyer.  In 1984 Paul Stephen began vacationing in Washington state—first to escape from KCMO summers, then KCMO winters, then KCMO altogether.  From 1988 to 1994 he roomed-and-boarded in the Laydenland rec room before shifting to his own place; thirty years later he is at the same apartment complex in Des Moines, Washington.  Since November 1989 he has worked in what evolved from Patient Data Services (i.e. Medical Records) at the University of Washington Medical Center, to Enterprise Records & Health Information (still Medical Records) at a conglomeration of hospitals called UW Medicine.  As he writes this, he is beginning his third-person-singular descent pattern toward unmingled retirement.

And through the last half-century Paul Stephen has devoted the bulk of his free time to creative writing.  George and Mila Jean always tried to encourage this, but were frequently baffled by his methodology and often by his output, or lack of the same.  All through the 1970s he constructed enormous novels in thorough detail, but achieved next to nothing in the way of actual text.  That threshold was crossed in the early 1980s, but seldom reached final-draft form.  Not till To Be Honest did he bring a large-scale writing project to completion—and that one was non-fictional.  Output improved after his relocation to the Puget Sound area.  From 1989 to 1993, and again from 2002 to 2006, numerous poems and stories and novel excerpts were published by “little” magazines in print and online.  Since then Paul Stephen has been content to hang his literary and genealogical oeuvres out to dry on www.SkeeterKitefly.com, the website he launched in 2002, for anyone to read or ignore as they see fit. 

As P.S. has told his brother Matthew on several occasions: “I’m glad one of us took the academic career route, and that it wasn’t me.”

Matthew Carleton

“Matt” became involved with journalism while attending the Pembroke-Country Day School, where he also took part in theatrical productions[267].  Combining these endeavors, he engaged in radio broadcasting through the 1980s as reporter, producer, and anchor at several NPR or nonprofit stations[268].  In the meantime he earned a Bachelor of Journalism degree at the University of Missouri-Columbia (1983), a Master of Science from the University of Kansas School of Journalism and Mass Communications (1987), and a Ph.D. from that old Ehrlich alma mater, the University of Illinois at Urbana-Champaign (1991).  Following a year of teaching at the University of Oklahoma, it was at the U of I that Matthew settled down in 1992.  He was promoted to full professor with tenure in 2006, and took early retirement (due in part to Illinois’s underfunded pension system) as Professor Emeritus of Journalism and the Institute of Communications Research in 2016, but continues to teach.

Matthew has also written a series of books published by the University of Illinois Press or its imprint: Journalism in the Movies (2004); Radio Utopia: Postwar Audio Documentary in the Public Interest [269] (2011); Heroes and Scoundrels: The Image of the Journalist in Popular Culture (with Joe Saltzman: 2015); Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era (2019); Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK (2021); and The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (2024).

Matthew also inherited Mila Jean’s partiality for widespread travel.  In 2020 he nearly got trapped in Ireland when the coronavirus pandemic lockdown began, but made it safely home and staged a successful return (this time nonviral) to the Emerald Isle in 2023.

Amber Joanna

Sherry Renée’s becoming a single mother was not among her grandmother’s hopes and dreams; but Mathilda wrote Paul in August 1977 about getting “a nice long letter from Sherry the other day, she seems to keep busy, and sounds happy with her baby.  So I guess I should feel the same and stop worrying ha?”

Mathilda would be smitten by her great-granddaughter’s[270] vivid charm, and comment about her in much the same way Mártuka and Sherry had once been described:

1978 July 15.   …Amber’s a sweet little girl, for 15 months she knows and does so many things I was surprised.  I haven’t seen a young child for so many years, I forgot how they [are] developing.  Amber was crazy for her grandpa.  She used to climb up to his immense easy chair and sit in Nicky’s lap hugging him and pushing her tiny face up to kiss him on his cheek.  Naturally Nicky was tickled about that.  She imitated every word she heard and was very happy to hear us laugh, and she laughed with us too…

1980 January 14.   …We [Mathilda and Martha] were very surprised that Amber was so good, all day walking around with us at a “Kay Mart.”  When it came lunch time she a three year old packed away a full meal [of] spaghetti and meatballs.  I only had a cheese sandwich and a cup of coffee…

1980 December 30.  …We had a good visit with Sherry and Amber.  She is such a smart four years old, she already can write her name and tries to read also…  When she saw us at the Airport she greeted us with, “I haven’t seen you guys for such a long time, I’m glad you came.”  She constantly amused us both while we were there…

Including Amber Joanna in To Be Honest does not change it to “four generations of unexpectedly dramatic family saga,” since being dramatic has always been an integral part of her parcel[271].  Like Great-Grandma Mathilda in her youth, Amber could play csipi csóka pinch-and-slap games while having “three other boyfriends at the same time.”  After many adventures she became a massage therapist at various spas and a vocal musician with various groups, as well as a wife[272], stepmother and eventual stepgrandmother (or “Gramber”).

In 1990 the thirteen-year-old Amber read Paul Stephen’s second Skeeter Kitefly story (“The Demon Bag Lady of Skeet Street[273]”) with qualified approval, saying “You should’ve left her a teenager” (as in the first Skeeter story, “Initially Illustrated[274]”).  Putting thought to more Skeeter-as-a-teen stories led P.S. to the full-length The Ups and Downs of Skeeter Kitefly, its sequel Skeeter Kitefly’s Sugardaddy Confessor, and www.SkeeterKitefly.com plus its weblishing adjunct Split Infinitive Productions—which now includes the Revised Anniversary Edition of To Be Honest.
 

Notes

[256] At 1533 S. Hi Point in Faircrest Heights until 1974, then half a mile west at 8555 Saturn Street.
[257] Mathilda’s death certificate said she was born in “Hungry” and her father’s name was “Maurice Kunz.”  Mathilda was buried beside Joseph in Hillside Memorial Park on August 24, 1992, at which time it was discovered that her marker was the wrong size and needed replacement.  The new marker was the proper size but displayed Martha’s year of death.
[258] The Mlinarich home was also a haven for lost, injured, and abandoned creatures.  Owls, hawks, and ravens were often present, as well as a garage full of pigeons, cartons of turtles in the den, cages of guinea pigs in the utility room, and a succession of house dogs.
[259] By former student William R. (Bill) Morris, who called Martha “an excellent teacher and excellent counselor and a confidant in time of need…  She strove to new heights in her profession, and in that she gave us meaning in our striving for perfection.”
[260] Several of their travel journals, transcribed and annotated, are available at The George & Mila Show.
[261] He came out of the anesthesia thinking he was in the hospital to visit Martha.
[262] Her obituary noted that “for half a century, Mila Jean was associated with the KCU Playhouse, UMKC Theatre Department, and Kansas City Repertory Theatre as actress, crew member, lecturer, play reader, and devoted follower.  Her love of drama, music, and other lively arts lasted all of her life.”
[263] Timoteo John Morta (born 1948), son of Timoteo Mones Morta (1912-1997) and Isabel[le] Gloria Morta Cheek (1931-2022).
[264] Mathilda wrote: “We are very glad she decided to do that—finally.”
[265] Nicholas John Layden (born 1949 in Colorado), son of James Caron Layden (1907-1993) and Geraldine Pearl Stepp Layden (1913-2005).
[266] A split level at 24713 21st Ave. S., in a cul-de-sac where Kent, Washington jutted west across Pacific Highway South into Des Moines, Washington.
[267] Pem-Day merged with the Sunset Hill School in 1984 to become Pembroke Hill.  In 1979 Matthew appeared as Tevye in the Pem-Day/Sunset musical Fiddler on the Roof.
[268] As George and I began our research trip to Champaign-Urbana in April 1985, we listened to Matthew broadcasting on KCUR-FM.
[269] “Dedicated to George Ehrlich (1925-2009) / Father, teacher, scholar.”
[270] Mathilda also considered Maureen Mlinarich Boone’s daughters Nikki, Debbie, and Missy to be her great-grandchildren.
[271] For instance: after I left Laydenland and moved into my own apartment in 1994, Amber popped by to inspect the contents of my refrigerator and exclaim “I can’t BELIEVE you were hiding all this food from me!”
[272] Marrying Tristan John Wogoman (born 1975) on February 27, 2006.
[273] Readable as Chapter 15 of Skeeter Kitefly's Sugardaddy Confessor.
[274] Readable as Chapter 11 of The Ups and Downs of Skeeter Kitefly.

 







































 


Illustrations

●  Mathilda and her three grandchildren, August 1963

●  Mathilda and Margaret Temmer, March 1964

●  Mathilda, S.R. and Martha, November 1967

●  Family “portrait” taken by Rose Ruhig, June 1970

●  Martha and Nick, June 1979

●  Mathilda, S.R., Amber and Martha, September 1979

●  Nick, Amber and S.R. on the Laydens’s wedding day, June 1985

●  Amber, S.R., Mathilda and Nick, July 1985

●  P.S., Mila Jean, George and Matthew, November 1985

●  Martha’s Mojave Mustang yearbook dedication, 1986

●  Martha and George, circa 1987

●  P.S., Mathilda and S.R., August 1987

●  P.S., Matthew, S.R. and Amber, December 1991

●  Amber, S.R. and Nick, December 1991

●  The embroidered lithograph that Joseph obtained in France circa 1918

●  George and the KCMO Library’s “Community Bookshelf,” May 2006

●  Mathilda’s grave marker at Hillside Memorial Park, 2011
 



A Split Infinitive Production
Copyright © 1986, 2003-09, 2024 by P. S. Ehrlich


 

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